Drunkendeath wrote:classthe_king wrote:alright thanks, will do. Also, once I get a mic, can i use this to record and mix it?
When you get a mic, make sure it is a stereo mic. Also, do some research on microphones to make sure you get the right one. don't want to end up with a low quality mic that you can barely hear
Sorry, but why would you need a stereo mic?
Your voice is usually in mono, with doubles or ad-libs recorded later. Having a stereo mic seems pointless. Perhaps I've missed something.
When it comes to microphones, you have the choice of dynamic or condenser. Dynamic mics are good for rooms that haven't been treated for audio recording, as they don't pick up nuances from the room; however, you will want a pre-amp. Really, though, you're going to want to have a preamp anyway, because if you go with a condenser microphone, you'll need the phantom power to power the mic. Condenser mic's produce a rich sound, but they'll make it more obvious in your mixes if you're room isn't treated for audio recording.
My advice, don't spend less than 100 dollars on a mic. I have a Shure SM58 dynamic microphone, and it's done me very well, and it's a SOLID microphone. I've gotten by without a pop guard (you'll need a pop guard) because the SM58 is good for live recording, where there may be wind. With a condenser, you won't get by without some sort of pop guard very easily, I don't think.
Compressors are what make a difference as far as your vocal mixes go. Using a compressor will even out your levels, allowing you to amplify an even mix.
Get REAPER to mix your shit down with. You can get it for free from the website, and it's a very good program. Seriously, I have experience with a few different types, and I absolutely love Reaper.