Just Blaze On Eminem And Lil Wayne Hook Up

[nathan123]

http://www.mtv.co.uk/artists/eminem/new ... -hooked-up

[Devil'sAdvocate]

weird aint it

[nathan123]

weird aint it

nuts

[clarkoggg]

weird aint it

nuts

Nuts like pistacio

[nathan123]

nuts like corn

[xRas]

nuts like bollocks

[dR3]

Nice, thanks for posting!

[313Relapse]

C-c-c-owait

[Asd-ONE]

Nuts like macadamia

[goblue418]

nuts like..testiclesssss..sssss

[Weather Man]

Bite my nuts & call me skippy.

[14Shots]

http://www.complex.com/blogs/2010/10/04 ... s-no-love/

“It was something that we had been talking about since his second album. I been cool with Riggs Morales [A&R from Shady] and Paul Rosenberg [Eminem’s manger]. Before Riggs was even around, there was a guy DJ Mormille [A&R at Interscope] and he was trying to get me to work with them. But the schedules never lined up and the timing was never right. It was a good thing it happened when it did because it made an impact. It was the first time Em stepped outside of his lane. I was the first outside producer he ever worked with. And the good things that came out of working with me opened him up to working with other producers. I’m glad it happened when it did.

“[The sample] was kind of random. I like to take unconventional source material and just make it into something you can actually rock to. I came up with the beat but I didn’t take it seriously. I kind of just did a quick skeleton and it sat for a while. There was another record that me and Em were working on. We actually had a sample clearance issue with it so we had to dead it. I can’t get into what it sampled. The day we got the confirmation that we absolutely couldn’t use it, we were all sitting in the studio like, ‘Where do we go now?’ It was a down mood because it would have been a really good record, something that was very personal to him. A lot of his records are personal, but this one was very personal. We got the news we couldn’t do it, and we didn’t know what to do after that.

“I remembered that I had the idea with the Haddaway sample in my computer, so I threw on the headphones, touched it up, and played it for him. At first, he didn’t get it 100 percent. I think he wasn’t sure what I was going for because it’s such a comic sample. But once I broke down the idea to him, another angle: ‘I don’t need you no more, don’t want to see you no more, you get no love.’ Then it clicked. He did his vocals two days later and was like, ‘Yo I want to get Wayne on it.’ I jumped on a plane and went down to Miami. I kicked it with Wayne about the record, he did his vocals in one night. Came back up to New York, I added more to the hook. And that was it.”

i wonder what that song was about.

[Drucifer]

http://www.complex.com/blogs/2010/10/04/just-blaze-talks-best-baseline-memories-making-eminems-no-love/

“It was something that we had been talking about since his second album. I been cool with Riggs Morales [A&R from Shady] and Paul Rosenberg [Eminem’s manger]. Before Riggs was even around, there was a guy DJ Mormille [A&R at Interscope] and he was trying to get me to work with them. But the schedules never lined up and the timing was never right. It was a good thing it happened when it did because it made an impact. It was the first time Em stepped outside of his lane. I was the first outside producer he ever worked with. And the good things that came out of working with me opened him up to working with other producers. I’m glad it happened when it did.

“[The sample] was kind of random. I like to take unconventional source material and just make it into something you can actually rock to. I came up with the beat but I didn’t take it seriously. I kind of just did a quick skeleton and it sat for a while. There was another record that me and Em were working on. We actually had a sample clearance issue with it so we had to dead it. I can’t get into what it sampled. The day we got the confirmation that we absolutely couldn’t use it, we were all sitting in the studio like, ‘Where do we go now?’ It was a down mood because it would have been a really good record, something that was very personal to him. A lot of his records are personal, but this one was very personal. We got the news we couldn’t do it, and we didn’t know what to do after that.

“I remembered that I had the idea with the Haddaway sample in my computer, so I threw on the headphones, touched it up, and played it for him. At first, he didn’t get it 100 percent. I think he wasn’t sure what I was going for because it’s such a comic sample. But once I broke down the idea to him, another angle: ‘I don’t need you no more, don’t want to see you no more, you get no love.’ Then it clicked. He did his vocals two days later and was like, ‘Yo I want to get Wayne on it.’ I jumped on a plane and went down to Miami. I kicked it with Wayne about the record, he did his vocals in one night. Came back up to New York, I added more to the hook. And that was it.”

i wonder what that song was about.

I wish they would leak that song to the internet, cant sue somebody for givin summin away for free