Slim Cary wrote:You're just starting a ten page paper that is due in two days?
Geno wrote:I don't wanna have a kid with Zabe tbh.
Amaranthine wrote:Slim Cary wrote:You're just starting a ten page paper that is due in two days?
This. Holy crap.
Anyway, the link in my sig might help. This. Excerpts from two of the biographies on Eminem, helps with stuff on his life, creative process, being around him, etc.
LEVITIKUZ wrote:Did y'all know Eminem's initials are MM. Like his name!!!
StayWideAwake wrote:I agree about the 'art' argument but my teacher is a poetry elitist who isn't so sure about calling eminem a poet.
I feel like I'm walkin' a tight rope without a circus net
Poppin' Percocet, I'm a nervous wreck
I deserve respect but I work a sweat for this worthless check
I'm about to burst this Tec at somebody to reverse this debt
Minimum wage got my adrenaline caged
Full of venom and rage, especially when I'm engaged
As I, fall deeper into a manic state
I'm a prime candidate for the gene to receive the drug addict traits
Blood pressure climbs at a dramatic rate
I seem to gravitate to the bottle of NyQuil then I salivate
Start off with the NyQuil like "I think I'll just have a taste"
The Poetry Society, formed in London in 1909, was equally gushing. "Eminem harnesses the power of word and language and that's what a poet would do," it said. "That's why the society is not surprised that Seamus Heaney would speak favourably."
Seamus Heaney (Nobel laureate poet), one of the leading figures in modern poetry has always praised the lyrical talents of Eminem. He said that he inspires an interest in the English language and its potency.
You can count the amount of rhyme and assonance, from the relatively obvious at first, ‘Rebecca/Tribeca’, to the increasingly deviant: ‘Well lie next to’ pronounced ‘ nextah’, then stretching the possibilities of rhyme further and further with ‘Lunesta/trimester/digest her’. Then you have the secondary rhyme scheme, with ‘guys/I/shy/lie’ being interspersed for a second layer of rhythm. (I’ve only double-underlined the ones which are emphasised in the recorded version, so there are actually way more when you read them). Stylistically, I’m sure you’ll agree that it’s a breathtaking piece of work, if depressingly misogynistic. I mean, the rhymes are so thick and fast, they’re almost percussive – snare and cymbals – which propel the narrative spitting and yelping like the drums of death.
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