Aone10 wrote:He was WAY closer to the SSLP/MMLP feel on Relapse than he was on Recovery. Relapse was it's own monster in comparison to SSLP/MMLP. If he really wanted that feel on Relapse, then he should've never used accents, it would've sounded even closer to SSLP/MMLP.
I truly hope he has this figured out and goes through with it on this next LP. If Recovery was his idea of re-capturing the essence of SSLP/MMLP then he was way off.
EDIT: I love Relapse as it is, I'm just saying that's what Em should've done if he wanted more of the SSLP/MMLP feel. Stylistically, he was different.
He didn't say he wanted to
sound like those records, he never wants to sound the same.
He just meant he wanted to go back to provocation and bear-baiting, which he did. And he never really left it alone, he just fully embraces it as a way of life again on
Relapse, and due to the fact the relapse style is it's complete own style, humorous yet sadistic and slap-happy, it actually is reminiscent of SSLP yet sounds completely fresh.
Also, I wouldn't say he was 'way off' with shit like "Cold Wind Blows". He's funny, offensive, playing into the hateful misogynist character but in a real-world way. The music is just worlds apart, but CWB is almost an attempt at like a "Kill You", in fact I think subconsciously he tried to capture that spirit / kind of track, similar to how "Cinderella Man" feels like a sister track to "Till I Collapse".