by Dommo » May 24th, '09, 03:23
Okay, first post. Seems like a good place to start. I'll throw in a track-by-track review to kick things off. Before I start though, I'll just mention that, while I've grown up on Eminem and each of his albums represents a piece of myself at one stage or another, I'm not a big hip-hop fan, infact, I don't listen to a lot of music, period. So let's get right into it - I'll give each song a number, but I'll just have a comment for the skits:
1. Dr. West:
Brilliant opening. I had a big grin on my face when this began, and it all feels very professional. Good acting from both parties.
2. 3am:
Since the single release, I've actually really enjoyed this song. It seems to cop a lot of unnecessary hate, but I think the accent suites the song well. It's an appropriately dark way to kick off the album, with some Shady spark. A rather catchy tune. 8/10
3. My Mom:
Another nice track. I always enjoy something a bit more personal than just wreaking havoc on celebrities, even if it's in the same fictional vein as Brain Damage. My Mom is not as sincere or emotional as Cleaning out my Closet, but this is certainly the direction to go. I like the hook, and there's an underlying seriousness to it all. 7/10
4. Insane:
Incredibly fucked up. Reminds me of something from the Slim Shady LP. It's lyrically, err, insane, and the chorus is nice, but can get repetitive by the end. 6/10
5. Bagpipes from Baghdad:
Awesome beat here. An incredibly catchy tune. And, another awesome flow from Eminem. Works wonderfully, except I hate that accent he uses in the chorus. 8/10
6. Hello:
Love the chorus and tune. Not much more I can say, just a really enjoyable song. 8/10
7. Tonya:
Predictable, but very well done, and goes hand in hand with the Dr. West skit. The intermissions on this album are simply my favorite from any of the Eminem albums. They all have at least some purpose and fit so well.
8. Same Song and Dance
Awesome juxtaposition, and incredibly creepy. It's kind of the same creepy and depressing sound as If I Had, abeit not as personal or emotional. 7/10
9. We Made You
Upon release as a single, I was worried for Relapse. I'm not a fan of this song. The 'funny, celebrity bashing, wacky first single' has become tiring, and it's no where near as catchy as it once was (The Real Slim Shady). It's got nice wordplay, but the accent is especially frustrating here, and the chorus barely fits with the verses. 5/10
10. Medicine Ball
Nice song, if a little bland - that is, until the third verse, which is an unnecessary bash on Christopher Reeve, which is become pretty tired. Either way, I like the tune, like the chorus, and I like the lyrics in the first two verses. 6/10
11. Paul
Goes hand in hand with the past Paul skits, and breaks up the songs nicely. It's good to hear his voice.
12. Stay Wide Awake
Loved it. Awesome wordplay, sweet tune, and a masterful hook. I simply can't get 'Soon as my flow starts, I compose art like the ghost of Mozart' out of my head. What an awesome, catch track. 9/10
13. Old Time's Sake
Good to hear Dre and Eminem together again. Not as impactful as prior songs, but still good. 7/10
14. Must be the Ganja
I've heard great things about this one, but it didn't run with me the same way as everyone else. Probably the most bland hook of the album. But good wordplay once again. 6/10
15. Mr. Mathers
Love this skit, as from here on out, the album raises a notch or two. It, once again, goes hand in hand with Dr. West, and it's at this point we clearly get the picture that Relapse showing Eminem picking himself up from patient back to rapper. Awesome interlude.
16. Déjà Vu
Now this is where things get interesting. The Slim Shady persona that has dominated the first 3/4 of the album is indeed fresh once again, but in this personal song, it takes a back seat and lets Marshall do the talking. The reference to Hailie is great, the lyrics are excellent, the beat is so dope, and the chorus sent tingles down my spine. Just awesome. I hope to see some more tracks like this on Relapse 2. 9.5/10
17. Beautiful
After Déjà Vu I wasn't expecting a track to top it. Ridiculously, the very next track does just that. Beautiful, for me right now, is damn near perfect. It follows the same vein as Sing For the Moment and Lose Yourself, but, I think Beautiful just tops them. The lyrics may be less significant than those mentioned, but the production of the song is just riveting. Everything about it hits its stride. The intro tune, the instant hard, torn rap pounding straight after, the beautiful chorus that harks back to Hailie's Song. My first listen of Beautiful hit me on the head in the same way that Hailie's Song and Kim did all those years ago. Just, absolutely wonderful. 10/10
18. Crack a Bottle
This song gets the most flak out of all on the album, but I don't find that much wrong with it. After Deja Vu and Beautiful, it's a welcome, fun song as a precursor to the intense finale. Eminem does well, the chorus is catchy, but 50 Cents verse is horrible. A fun song. 6.5/10
19. Steve Berman
Awesome to hear it. It's great they don't dismiss what took place in the Eminem Show skit, and instead follow up with it. I had, once again, a big grin on my face throughout, and for those who hadn't heard about the sequel album (not sure who, but just assuming), Eminem's last line would have come as a "Oh... shit, that's awesome" moment. Great, nostalgic stuff.
20. Underground
At this point, I didn't really care how Underground played out. I was satisfied. But upon hearing the "A lot of people ask me..." my huge grin from the Steve Berman skit turned into ecstatic laughter. It was so great to hear that again, and then bam! The song just rocked all the way through. Certainly in the same vein as Criminal, maybe Till I Collapse. A riveting, hard, explosive climax to the album. 9.5/10
Final Score: 8/10
As with all Eminem albums, there are the (IMO) ups and downs. Relapse I think, despite the apparent surface, develops Eminem's persona quite a bit. I loved the theme of raising Eminem throughout until the end where he's finally back and ready to go. This is especially awesome knowing a sequel album is dropping at the end of the year. Yes, there was a lack of deep songs, but that's absolutely understandable after his events over the past couple of years, and I think there's no less substance on here than Encore, and maybe even The Slim Shady LP. I do hope, however, we get a more personal album in Relapse 2 (And nothing redundant), which would fit perfectly with Relapse.
Eminem has certainly not lost it. He's back, rapping better than anyone in the game right now. Now just a few more emotional and personal tracks, and I couldn't fault him. If Eminem were a fictional character, he'd be the best written character ever I feel. His life is so goddamn interesting, strange, traumatic, depressing, hopeful, angry and beautiful. He's had friends, friends lost, enemies, sometimes himself, and he transmits this through his music, which is all he knows. This is leagues, miles, tonnes, galaxies away from some of the 'women and cash' rappers I've heard on occasion. If Eminem sticks to telling his story, there's nothing but a winning formula.