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EminemBase wrote:I read Dre say somewhere recently that sequencing on an album is very important and can affect your entire memory of it and I completely agree.
Aside from the obvious lyrical flaws here and there on Recovery and of course the production (and amount of variety of it), which made it feel a bit mixed - I think Recovery's biggest killer which stopped it from being a classic, at least for me - Was its sequencing.
A lot of critics and fans saw the album as aimless and inconsistent, but in reality it's about as consistent as any of his others. All of his albums have contradictions, multiple aims, multiple messages etc. Of course his others are more consistent and have better themes BUT, I think Recovery only feels SO random due to its ordering...
I mean look at it, he has "Cold Wind Blows" - An all out assult track, followed by "Talking 2 Myself" where he's sombre, self-critical and apologetic lmao. He creates direct paradoxes with these orderings that I feel make the album feel confused after a full listen.
Picture an ordering more like this...
1. Cold Wind Blows
2. On Fire
3. Won't Back Down
4. Here We Go
5. W.T.P.
6. Talkin' 2 Myself (feat. Kobe)
7. Going Through Changes
8. Not Afraid
9. No Love (feat. Lil Wayne)
10. Seduction
11. So Bad
12. Love the Way You Lie (feat. Rihanna)
13. Space Bound
14. 25 to Life
15. Cinderella Man
16. You're Never Over
17. Almost Famous
Now with that ordering, that looks like a classic album to me. Or certainly a lot closer.
With his current sequencing, he has a punchline track followed by a personal track, followed by a punchline track etc. It's back and forth, irregular and random.
With that ordering, you have...
1-4: Punchline / battle tracks.
5: Intermission / breaker.
6-8: Personal / introspective tracks.
9. Intermission / breaker.
10-13: Relationship / love tracks.
14: Intermission / breaker but also direct development / relationship with hip-hop.
15: Stand-alone.
16. Stand-alone.
17. CLOSER.
I think that kind of ordering would make sense and make the album feel consistent and ordered. As lyrically and stylistically he kept it pretty consistent, all the tracks feel like they belong.
And "Almost Famous" is a closer if I've ever heard one. Imagine that crazy listen and then the album closes with ten rounds with Tyson, ending on the line "I'M ALMOST FAMOUS!".
I definitely think he's had classic albums of material the past two albums but has botched it by bad track choices, ordering and the wrong presentation. I mean Relapse is a few tracks wrong from being a perfect album in its own right but, even though it's only two, they totally ruin it.
Like-wise, I think the sequencing of Recovery really spoils it. As bizarre as that seems, given it's still the same collection of songs, I definitely think it can majorly affect your memory / placement of it.
Also - I'm aware his other albums also have what you could consider contradictory or 'random' sequencing but I think that the reason they feel 'right' despite it, is due to the production. On all previous albums the production has been handled by one team so it has been consistent and they craft one sound per album.
With Recovery, you have a whole bunch of producers with different sounds. So I think the track ordering / lyrical batching was absolutely paramount to making it feel consistent, in spite of the amount of different production. It was the reverse situation if you will.




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