Mr. Porter back to the studio with DJ Khalil (talks Eminem)

[StanBase]

HIS SHIRT SAYS KEEP CALM AND CALM DOWN I think!!!!!

its probably call denaun

Yes it is. WOAT meme tho

[RSoares]

Should be Keep Calm and Make Some Motherfuckin' Noise

[Ares]

Should be Keep Calm and Make Some Motherfuckin' Noise

Was thinking the same lol

[Mr Change]

Should be Keep Calm and Make Some Motherfuckin' Noise

Was thinking the same lol

Keep Calm and how many ya'll got that Recovery album?

[Jaba]

Lol i was jk.

[Mr Change]

I love Porter but , sometimes I just don't know about the guy

[TheGentlePlayer]

Maybe this is for the D12 album?

[Raul]

Maybe this is for the D12 album?

[Mike_88]

I guess that's something new for Jon Connor.
http://instagram.com/p/lsWGZGJuci/

[Mike_88]

I guess that's something new for Jon Connor.
http://instagram.com/p/lsWGZGJuci/

But lol, people are only talking about Eminem/D12 in the comments. Even Kuniva and Swift don't have to deal with that, they get actual comments. What does that say about Denaun?

He only brought the words "Eminem album" up in the original post for attention, and then he gets mad when Em fans don't leave him alone.

I'ts always like that, because of that two words "Eminem album". I was a lil' bit confused too at first, but now I'm pretty sure when Porter was talking that he means "Connor album sounds like classic Eminem album", but not actually Eminem new album.

[EminemBase]

Bass Brothers, just the fucking bass brothers!

^ This.

Plus some Dre (preferably beats from the vault - late 90's). I also think he needs to use Luis Resto more and bring back Mike Elizondo.

But fundamentally it goes down to what beats he chooses, Recovery was terrible for beats but I also felt like the mixing and engineering wasn't on point, always fighting with the beat to be heard more.

I think one of the biggest reasons that people don't think about in terms of the production in the last 10 or so years is the change in technology though. What I'd love is for Em to go back to using analogue rather than through digital systems. SSLP & MMLP were all analogue and only on Eminem Show did they start to switch to digital systems with Pro Tools. I think sonically Em suits analogue way more than digital, that's why MMLP sounded so consistent and solid. The sounds used within the beats too - I don't like loads of synthesisers and computer generated type sounds with Ems music - part of the reason it took me a while to like Rap God was because of that. There's a Mike Elizondo interview somewhere where he talks about this I'll try to dig it up..

Edit
Here's that article
http://www.soundonsound.com/sos/jul06/a ... izondo.htm

Word, word and fucking word.

The one thing I think Em should have done for MMLP2 above all else is get Bass Bros to mainly produce it with himself; try to create a new thrilling sound but it would have that DNA, it would have had that Bass Bro live instrument funk and feel... it's one of the main elements of the original.

If he had done that - same songs, same raps... but then his own hooks on more too... I think it would have been a classic to me.

[kkaniff]

Personally, I don't really care. I enjoyed Rick Rubin's production on The MMLP2 as much as, if not more than, the Bass Bros.
Wanting Em to regress to a former sound doesn't really sit well with me at all.

[Jaba]

I don't care really. I am sure whatever Em decides to put out will sound amazing. Em hasn't and can't make a "bad song", like you take the WORST Eminem song and I'd rather listen to that than the BEST Lil Wayne/Drake/Jay-Z/Kanye song.

[Snakebeast]

I don't care really. I am sure whatever Em decides to put out will sound amazing. Em hasn't and can't make a "bad song", like you take the WORST Eminem song and I'd rather listen to that than the BEST Lil Wayne/Drake/Jay-Z/Kanye song.

You'd rather listen to Fack over Tuscan Leather.

[CanadaPure]

I don't doubt anything that Brainless says, because he's a fucking idiot. Porter is a fucking idiot too, I hope he overdoses on hamburgers. Fat fucking piece of shit.