Now, when The Slim Shady LP dropped, what was groundbreaking, besides a white MC had broke through the racism with Dr. Dre? Did it have new styles? Is rapping about "killing guys and raping girls" necessarily groundbreaking? To me, some of the content on that album is plainly embarrassing, and his delivery, at times, does not help. Give me legitimate examples of SSLP's "groundbreaking-ness".
This is a profoundly stupid attempt to discredit
The Slim Shady LP.
That's like saying
Pulp Fiction isn't a groundbreaking movie because it's just about "gangsters and violence" but that means nothing. You've given the core premise to the themes but not divulged into how those themes are explored.
I mean first of all, on the most basic level at all. The album was groundbreaking purely for its stark originality in a period of trends and gangsta talk. That album is basically an underground LP. It's a vivid CD of drugs, horrocore violence and battle-rap. And he brought that to the mainstream. On a big scale.
Don't patronize me by trying to 'school' me at this point by the way. I listen to all hip-hop so don't bring up the fact Em wasn't the first to do this as I know that. Point is, he was the first to make these themes successfully transcend. Was that partly due to his skin colour as well as the Dre-backing? Without question. But it's also without question that it would of had a major impact regardless.
This can be observed from the intense buzz within hip-hop in 1998 about Em / Slim Shady even from unapologetic blacktivist rappers like Mos Def who you can bet your bottom dollar would do anything NOT to endorse a white rapper if he could. But even he around that time was shouting "Eminem is dope!".
Em was / is a groundbreaking rapper regardless of his skin colour and to question that is absurd. If it were just because of skin colour then Vanilla Ice would of sold 80 mill. If it were mainly because of skin colour then people would of gotten bored with that novelty and he would be dead or much smaller now too. Talent speaks for itself and his speaks volumes.
Blaming any of his success on colour at this stage is lame and participating in the spreading of malicious falsehood. You're looking at the themes of SSLP and asking what's groundbreaking. Okay lets flip this. What was groundbreaking about
Illmatic in terms of themes? Nas was just talking about "gangsta shit" and "street life". Now obviously that's ridiculous. It's the way the album was presented that made it original and groundbreaking.
And it was the way
The Slim Shady LP was presented that made it so also. It was totally original in presentation, held a very groundbreaking song with "97 Bonnie and Clyde", he also stepped up the complexity of lyricism. And not just in rhyme schemes, I'm not saying SSLP is the holy grain of rhyming but it's very very good and again, it's the
way he rhymes. Lets not forget the impressive storytelling, particularly on "Brain Damage" and "As the World Turns".
He was using very different vocabulary in a very different way. He was also coming out with biting wit and metaphors that hadn't been matched previous and in my opinion not since. Lets not forget the utterly subversive attitude of the presentation which hadn't been seen with such intensity previously at all IMO. Obviously you had Pac yelling fuck the po-lice and Ice Cube and all of that.
But none of them packaged, polished and spew out such intense, formatted rhymes with such absolute bile in such a clever, ironic and anti-establishment way like he did. He stepped the intelligence of rap up mainly. The constant persona juggling, tongue in cheek, button-pushing. Not done previously to the level we saw on that album. He also displayed complete self-awareness.
I can't think of many rappers previous to him that displayed his level of self-awareness. Possibly Nas in terms of... Basic emotional self-awareness but Nas focused all of that to pointing out the flaws in black society where as Eminem chose a much more interesting angle. As apposed to banging on about petty race issues, he played havoc with the grey line.
This album displays such utter self-realization. He's totally aware of the listener's perceptions as he's saying everything and he's constantly toying with those perceptions.
Finally, the album was totally thematic. There had been rap albums previously with themes to them, obviously. But again, this was a very different presentation of a theme. It wasn't just dark and defined it was almost profoundly personal and psychopathic at the same time. A total dichotomy of art. And I mean that as a good thing. This was purposeful. And masterful.
The Slim Shady LP was way ahead of its time. Like all his albums bar
Encore. Which is why I can still blast "Just Don't Give a Fuck" and it still sounds fresher than anything out today. In 2009. Not to mention funnier, more clever and more relevant.
So to sum up, the album is groundbreaking for; totally unique storytelling abilities, unparrelelled wit and use of metaphor, unconventional flows, intense subversive attitude, new use of words, total self-awareness, consistent and almost real-time fucking button-pushing and much more.
Oh and just one more thing. You say his delivery didn't help? Are you literally insane. Have you escaped from a movie we all commonly know as One Flew Over the Cuckoo's Nest or do you just like stiring it up Mr. Ramsey... If nothing else, Em has always been groundbreaking for his delivery.
That's the one thing, whilst every other fucker has been lazy and half-mumbling wasted punchlines, that he has honed and crafted to the point of obsession. I mean these days his delivery is just inhuman but even back then - His flows were much more advanced than his competition.