_Hawk_ wrote:Embase, it is a revisitation to the mindset that made him make the MMLP. Him being cocky etc didn't create that album.
His critics fuelled it. His family fuelled it. His law suits fuelled it.
The same is true with MMLP2. Whilst the latter obviously hasn't taken place, it was fuelled in much the same way, and no other Eminem album has really been fuelled like this (apart from Recovery, perhaps, but that was more a means to reconcile with critics, rather than disprove them).
Seriously, you are focusing on his mindset in making the songs, rather the album as a collective. I seriously don't think you can see the vision he had.
Okay, so you think MMLP is unique or... what defines it / connects the two is the fact it revolves around critics, fame and his family...
So could you explain how TES does NOT do that?
Eminem focuses on pretty much the same themes every album, EXCEPT MMLP, which is the most outward looking album in fact... people call it his most personal but he made the most social commentary and rapped about outside events more-so than ever.
SO how does MMLP2 featuring content about his family and critics make it MMLP lmao, he always raps about those things! He rapped about those things on Recovery!
And not really @ reconcile, I mean look at "On Fire"...
The point is Em has really not carried out a consistent album mindset since TES. He always tries to give too many points of view and that's why you get this bizarre mix all the time now like on Recovery where one minute he's rapping like he does on Cold Wind Blows... and the very next track he's totally realistic, apologetic... it makes no sense.