Do you thiink...

[Evil Twin]

if we were to tweet the shit out of Paul Rosenberg, Royce etc with some sort of hashtag like #WeNeedEminemMusic or something like that they'd take any notice?

If we were to bug them about it do you think we could get something going? Maybe we'll find out what kind of place Marshall's at with the album or how much of the album is completed. Just something

[Eedee]

I wouldn't bug them about it. He'll release music when's confident and ready. Don't be a douche.

[scrapig]

Agree with you, we do need to bug them!

[RoleModel'Est96]

I wouldn't bug them about it. He'll release music when's confident and ready. Don't be a douche.

Agreed

[EG.]

I wouldn't bug them about it. He'll release music when's confident and ready. Don't be a douche.

[TonyTilt]

It's not worth it...

[Fa-Q]

This album will be 3 years in the making, other then his projects with Skylar, Slaughterhouse and Bad Meets Evil, he has been completely focused on this. Relax, it will be here before June

[Kill You]

Wouldn't you rather he put out something that he's satisfied with than the succumb to the fans AGAIN and make him fuck everything up? He's starting to go back to the Shady style and I don't want that fucked up by the fans like they fucked up Relapse 2.

[EminemBase]

Well, this wait is torturous but it'll just make it that much sweeter when the time finally comes.

And when it does come, and it will... think back to this moment, reading this very sentence I've typed, if (well, you MUST be) you are reading this, and just remember back to this moment, reading this sentence. Imagine if you do now, and you remember reading this too, that'll be weird huh!

I am happy in a way that it's taking so long though because... I think that means he's taking his time with it. And whilst there's two main trains of thought on creativity, with one school saying that the best stuff 'just flows out' and doesn't take long at all... I think these days, Em's best stuff is going to come when he really thinks about it and cares about every element with supreme detail.

Back in the day, his greatest stuff did just flow out. I mean, he made MMLP fairly quickly I believe, and didn't he write "Lose Yourself" (arguably his greatest all-round musical and lyrical song) pretty quick on-set. These things came quick because he was inspired... but then you also have The Eminem Show, which many of us agree is his most consistent and well-done, and he worked like crazy on that album and cared about every, single aspect. So, I hope he's in that mind right now.

You can hear that kind of mentality in Relapse, and history treats that kind of material well; I listened to it earlier again and it just seems to re-energize itself and respur this new cycle of energy every time I hear it, it's totally thrilling, insanely catchy and addictively precise. Recovery is very enjoyable too, but as one critic said, for the first time 'he actually sounds clumsy', and he does.

Now that he's gotten his underground inspired lyrical madness out of him (Relapse) and his evolution and commercial success and experimentation out (Recovery), I'm hoping this new one is a real work of art. Since coming back - he's proven he can rhyme incredibly again, he's proven he can come up with beautiful and intense flows, and he's proven he can make hits, but he still hasn't proven he can make a consistent classic again. And given the fact that his last THREE albums all had pretty much lukewarm receptions from fans and critics (I realize Relapse is divided and Recovery is generally well-received, but neither is comfortably good or bad as a consensus) - he really needs to knock this one out of the park, just on an artistic level. And I hope, he knows that. And cares.

Also, from the sound of the BET Cypher and all his verses since, I personally think he's finally content with 'being back' and has FINALLY disconnected himself from what everybody is saying or thinking and letting it effect his sound or material... that BET Cypher verse is really quite brilliant too; and judging from his sinister tone, beautiful lyricism and flow... and what Royce said... I'm anticipaing something dark, daring and 'liquidy' (for some reason I'm sensing he's going to have somewhat rapid, tricky, liquid flows that vary back and forth in speed and tone)... I'm thinking BLACK and something, perhaps black and yellow or black and red, and I think the material will be dark and conceptual... HOPEFULLY; he senses he should have trusted his gut to begin with.

[Eedee]

EmBase, I like how you associate colors with how his music sounds.

What did you think Recovery was like, color-wise?

[Kill You]

EmBase, I like how you associate colors with how his music sounds.

What did you think Recovery was like, color-wise?

I would personally associate it with a light blue.

[Jimmy Conway]

You guys are so sad. Every week with this shit.


I really hope Em never says anything about the album. Nothing at all. Then one day he says on twitter "Oh, btw, here's my album" and provides an Itunes link. Say nothing about it until the day it's released. The internet would melt with people searching it.

[NotFinished]

I wouldn't bug them about it. He'll release music when's confident and ready. Don't be a douche.

[NotFinished]

I wouldn't bug them about it. He'll release music when's confident and ready. Don't be a douche.

[sbolli1]

You guys are so sad. Every week with this shit.


I really hope Em never says anything about the album. Nothing at all. Then one day he says on twitter "Oh, btw, here's my album" and provides an Itunes link. Say nothing about it until the day it's released. The internet would melt with people searching it.

I've imagined something like that happening, but there's no way an album as big as Em's could stay under wraps until release day. Unless Em pulled some JJ Abrams shit and made everyone involved in the project swear to secrecy...which is unlikely as fuck.