slimsoxshady wrote:haven't listened to Monster and won't but wow i'm loving the track lengths on the itunes pre-order...Marshall bringin it
LEVITIKUZ wrote:Did y'all know Eminem's initials are MM. Like his name!!!
"Everybody want the key and the secret to rap immortality like I have got.."Jimmy Conway, on someone placing a bid on Eminem's old home wrote:Koolo will probably buy it and have an orgy with all the studio leak worshipers in it and then burn it down because not enough people answered his "Do you like me buying this house" poll.
_Hawk_ wrote:^ Yeezus is hardly a come back album, and MMLP2 has the makings of a comeback album: Em's comeback from the pop critique of Recovery back into the rap game.
I was really commenting on Em's inability to make an introspective classic.
Kanye fuelled MBDTF with his past criticism and used it to his advantage.
Yeezus is far from a travesty. Maybe economically because of poor sales, but the reviews are exceptional.
It's a creative, conceptual album. Rather refreshing I think.
OneOneSix wrote:VINTAGE, how could you skip Hailie's Song on TES??! I probably put it in my top 5 from TES and that's my favorite Eminem album!
But I know what you mean, I skip songs on most the albums too.
UofLCard wrote:slimsoxshady wrote:haven't listened to Monster and won't but wow i'm loving the track lengths on the itunes pre-order...Marshall bringin it
Listen to it and form your own opinion.
slimsoxshady wrote:UofLCard wrote:slimsoxshady wrote:haven't listened to Monster and won't but wow i'm loving the track lengths on the itunes pre-order...Marshall bringin it
Listen to it and form your own opinion.
I'm debating whether to listen to a full leak or just waiting til nov 5...but I don't wanna listen to Monster now cuz I feel like I've already had a good preview with the 3 previous tracks and I wanna have more new tracks to hear. I have not read anyone's reaction to Monster, cuz I know that can affects judgement.
VINTAGƎ wrote:_Hawk_ wrote:^ Yeezus is hardly a come back album, and MMLP2 has the makings of a comeback album: Em's comeback from the pop critique of Recovery back into the rap game.
I was really commenting on Em's inability to make an introspective classic.
Kanye fuelled MBDTF with his past criticism and used it to his advantage.
Yeezus is far from a travesty. Maybe economically because of poor sales, but the reviews are exceptional.
It's a creative, conceptual album. Rather refreshing I think.
Lol 808s = R&B/autotune Encore
Yeezus = Electronica/techno Encore
Kanye lawst
_Hawk_ wrote:^ Yeezus is hardly a come back album, and MMLP2 has the makings of a comeback album: Em's comeback from the pop critique of Recovery back into the rap game.
I was really commenting on Em's inability to make an introspective classic.
Kanye fuelled MBDTF with his past criticism and used it to his advantage.
Yeezus is far from a travesty. Maybe economically because of poor sales, but the reviews are exceptional.
It's a creative, conceptual album. Rather refreshing I think.
_Hawk_ wrote:VINTAGƎ wrote:_Hawk_ wrote:^ Yeezus is hardly a come back album, and MMLP2 has the makings of a comeback album: Em's comeback from the pop critique of Recovery back into the rap game.
I was really commenting on Em's inability to make an introspective classic.
Kanye fuelled MBDTF with his past criticism and used it to his advantage.
Yeezus is far from a travesty. Maybe economically because of poor sales, but the reviews are exceptional.
It's a creative, conceptual album. Rather refreshing I think.
Lol 808s = R&B/autotune Encore
Yeezus = Electronica/techno Encore
Kanye lawst
That isn't true, but I certainly find your opinion interesting.
Every track on 808 except See You In My Nightmare is better than The Monster.
Kanye's emotional output trumps Em's, and his autotune is just an artistic representation of heartbreak.
People get so hung up here on how good Kanye is or why his albums are so well received.
I only made a comparison to MDTF to highlight how I felt it was similar to MMLP2 in that it was a rap artist coming back after strong allegations he had gone too mainstream.
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