ShadyOnFire wrote:And what is that breathing on the ROR beat supposed to be?
http://www.youtube.com/watch?v=oc7b62El_fk
The Zombies' Rod Argent on Eminem sample: 'I loved it'
http://www.nme.com/news/eminem/73693#0uuZY8eksCdKgrvY.99
ShadyOnFire wrote:And what is that breathing on the ROR beat supposed to be?



ShadyOnFire wrote:oh yeah and

horse wrote:You’ll never go gold, that’s why you’re just silver


kkaniff wrote:Is there a girl on the Baby hook or am I hearing things?

mdemaz wrote:dam





Horsebot3K wrote:Charlotte Mathers wrote:Cant you count to 48, dude?


horse wrote:You’ll never go gold, that’s why you’re just silver

Hopsinshadie wrote:The album has digested better with me now. I can make an more accurate evaluation.
Bad Guy- Perfect Perfect opening to the MMLP2. Now I don't know if this album was truly a MMLP, but if there ever was a perfect sequel to the MMLP, ''Bad Guy'' is everything you could possibly ask for. When I first heard it, I wasn't quite sure who Em was talking about, but once he said ''Okay I'm driving on the freeway'' or whatever, I knew instantly that it was the sequel to Stan. Loved the way he switched up his flows at the end. Perfect song.
Parking Lot- The perfect follow up to the scene in ''Criminal.'' Honestly, Bad Guy and Parking Lot were perfect opening tracks for any MMLP sequel. With ''Parking Lot'' I was convinced that this would be a true sequel.
Rhyme or Reason- Great hook. Always loved the ''Time Of Season.'' I was confused though. With the first 2 tracks, it sounded like the MMLP. Now with ROR, I started to think about all the old skool beats that I feared Em might bring up. Anyways, Em has a wicked flow on this track. I loved how he answered the questions, ''What's your name?'' and ''Who's your daddy.''
Berzerk- This song gets better after each listen. Compared to other songs on the radio, this song truly has one of the most classic hooks of all time.
Rap God- This is an MMLP caliber song. ''Rap God'' should get an award for best hip hip song of the year.
Brainless- Fantastic rhymes, beats most of Relapse. Has a comedic hook, and a great song intro.
Monster- I actually like this song more now. It has a special aura. It's not so much about Em's rap in this song, but just the actual beauty of the song. A nice simple song that people can relate to.
Stronger Than I was- I'm not sure if Em is a good singer (he has got worse since TES) but this song is very unique.
Evil Twin- I love this song, but just felt that Em could have done more.
Beautiful Pain- One of Eminem's best songs ever. The song brings up a lot of memories and emotions, reminds me of my ex girlfriend. Why was this left off the album? I'm guessing they wanted to make money by selling the deluxe. Unfortunate though that this didn't make the album.
Wicked Ways- One of the best Eminem hooks I've heard in a long time. The flow and rhymes are fantastic. It does sort of sound like an Encore type song, but a really really good one.
Baby- This one sort of brings me back to either the 8 mile or Encore period. Songs with flow and lots of multi's like Rabbit Run, Ricky Tic Toc, etc...
Desperation- Was blown away by this track. Using Jamie Commons was a great move. This could be and should be a radio song. This is the type of music I want Em to stem off from. He can huge on rock stations and such. I would rather have Em move towards these types of tracks as opposed to collabing with Wayne, Drake, or Rihanna. It fits his age as well.


Mr. Porter wrote:csw621 wrote:Mr. Porter wrote:I also thought he sounded off-beat.
Porter plz, don't you have a youtube awards performance to fuck up
As a matter of fact I do. Thanks for reminding me.

I don't even know how to describe this.

Revolutionary wrote:My favorite line in the mean time:They said I was a gimmick, now I'm the one that those guys mimic


Horsebot3K wrote:therapist wrote:"My evil twin, he's crazier than me, and I'm NUTS. But then again, who wants a plain M&M?"
Fucking classic
Practically every line of Evil Twin is quotable.
"You done called every woman a slut, but you're forgetting Sarah, Marshall"

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