Lol actually almost every magazine and critics were saying Eminem's verse was the highlight of the album.
> bad expectations
> won't be disappointed
that's how I'm going with this one.
bigray wrote:Kill You wrote:pomp4434 wrote:I clearly remember when obie was tweetin that pic of him and em in the studio there was some tweet about someone rappin about their big dick or somethin. I almost would bet my life thats what this will be about. You gotta realize that all ya gotta do to enjoy the is have a sense of humor, why be so serious i mean damn
It really depends on how it's presented...Throw It Up was a bad verse when you look at the content but it's entertaining for what it is...it was presented in a way that wasn't SO bad, not as bad as some people make it out to be. It could be about their dicks if it's presented in a humorous and not so immature way...he could do it if it's done right.
But like I said, I'm REALLY hoping this verse won't be about dicks and will redeem Em in the eyes of critics after Throw It Up.
What Critics? those guys on SL are critics now
Trimss wrote:Lol actually almost every magazine and critics were saying Eminem's verse was the highlight of the album.
> bad expectations
> won't be disappointed
that's how I'm going with this one.
Menzo wrote:Its cuz you're dope and Daddy Dubs. No one fucks with that
I love you Daren
Emadyville wrote:
what magazine?
There's a curious moment at the end of the sixth track on Yelawolf's major-label debut. It's "Throw It Up", one of the album's highlights
That being said, the songs are very good. Yelawolf’s lyrics paints the most righteous visuals in your imagination. Standout tracks me to are Growin Up In The Gutter, Let’s Roll, Radio, Hard White, Animal, Throw It Up and the album’s intro track. While the whole album is listenable, these are my favorites.
On the menacing “Throw It Up” with Eminem and Gangsta Boo, Yela doesn’t yield on the mic. “I got two cars in the yard that don’t run, so why the fuck would I break shit down for you,” he sneers before moving out of the way for Em, who puts on a rhyming clinic. “My, Yelawolf and Gangsta Boo came here to, show you a thing or too/About sign language, middle fingers aimed at you, so we don’t have to scream at you.”
Most impressively, he holds his own next to his trailer trash trailblazing label boss Eminem on the rewind worthy Throw It Up, a cut that also gives Gangster Boo her most high profile placement since Outkast’s Call Before I Come. It’s a Southern thing
Geno wrote:@Trimss I think we thought you were talking about Richard.at least I did.
Menzo wrote:Its cuz you're dope and Daddy Dubs. No one fucks with that
I love you Daren
Menzo wrote:Its cuz you're dope and Daddy Dubs. No one fucks with that
I love you Daren
Menzo wrote:Emadyville wrote:just to clarify, this was a song done a few years ago correct?
The song "Richard"?
Menzo wrote:Its cuz you're dope and Daddy Dubs. No one fucks with that
I love you Daren
Menzo wrote:Is it confirmed that this is an old track?I want 2012 Em
Menzo wrote:Its cuz you're dope and Daddy Dubs. No one fucks with that
I love you Daren
Menzo wrote:Its cuz you're dope and Daddy Dubs. No one fucks with that
I love you Daren
Menzo wrote:-__________________-
Menzo wrote:Its cuz you're dope and Daddy Dubs. No one fucks with that
I love you Daren
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