Just trying to buy me some time, then I remembered this magic trick
Den Den Den Den Den Den, Go go gadget dick!
as the world turns. amazing
Just trying to buy me some time, then I remembered this magic trick
Den Den Den Den Den Den, Go go gadget dick!
Menzo wrote:My most recent one is:
"So mow the fucking lawn, your asses are blades of grass
And I'm fucking up this whole landscape of rap
The GOAT just ate eight acres, an eighth of that
Was just to make a path and take it straight to your favourite rapper"
Horse wrote:srs answer:Eminem wrote:That's why we, sing for these kids who don't have a thing
Except for a dream and a fucking rap magazine
Who post pin-up pictures on they walls all day long
Idolize they favorite rappers and know all they songs
Or for anyone who's ever been through shit in they lives
So they sit and they cry at night wishing they'd die
'til they throw on a rap record and they sit and they vibe
We're nothing to you, but we're the fucking shit in they eyes
EminemBase wrote:I dunno, but, ''I said shut up when I'm talking to you... you hear me? Answer me!'' pretty brilliantly encapsulates a lot of what Eminem is, in one concise line.
You got the play anger, an imaginary violent scenario, the play on fem hate, the psychosis and a beautiful ironic punchline all in one. And it's delivered like a dramatist-meets-comedian-pro-actor.
But, despite the musical inconsistency of the ''new Em era'' (09-14)... he's come up with some pretty incredible lyricism and all-time great lines and phrasing since his return. He may not be able to put albums together the same way, but his skullfuckery of words and expanding lyricism is still right in the upper echelon.
If we're talking more recently... ''To be truthful - the blueprint's - simply rage and youthful exuberance'' and ''everybody loves to root for a nuisance'' are right up there. Not only what he's saying, which for the first time in a while is genuinely eloquent and smooth - but for ''youthful exuberance'' and ''root for a nuisance'' to rhyme in such a consistent context... it just reminds me of how I used to feel in his prime when the sentences seem to just naturally rhyme and I would think ''why the fuck haven't I noticed that those words rhyme together before'' and it almost seems too convenient. Like rhymes are just falling in to place as he speaks.
What I mean by that is not that you would casually speak in that way, as you wouldn't; I think phrase formatting SHOULD be elevated and sound quite affected. As it's art, not conversation. There needs to be some poetry in how it's put together. BUT, with 90% of rappers - whenever they do multi's especially, and especially even so called god-underground rappers: it sound so blatant the way they've slapped phrases together in bunches or just a really clunky sounding sequence, using words unintentionally out of context and just sounding like you can hear the messy labour in their work. Where as ''everybody loves to root for a nuisance'' is a perfectly eloquent and smart phrase which stands on its own, and it perfectly multi-rhymes with the previous (also smart and smooth sounding sentence) phrasing, without sacrificing the feeling of organic expression.
And he comes up with such cool-ass ways of expressing ideas. A lot of rappers would express those ideas in a much more simplistic, first-person kind of way such as ''I'm raging, I'm ... '' as apposed to ''Well, to be truthful - the blueprint's... simply rage and youthful exuberance'' - as if he's engaged in conversation and responding and looking outside of himself etc.
Similarly, to refer to himself as a ''nuisance'', although seeming like a purely convenient rhyme choice for exuberance; it downplays what he's doing, is self-aware and tongue-in-cheek in a way where most similar kind of rappers would exaggerate rather than nonchalantly and quite accurately describe themselves (and also communicate about or to the listener in a more generic way aka ''you people'' or ''they say I'm...'' ), but again in a self-referential, parable kind of way... ''everybody loves to root for... '' (prior to downplaying himself, he recognizes the stature of what he's done and is doing, just like on MMLP1, in that wording. Characterizing the mindset of a fictional crowd watching a showman, as apposed to just generically addressing the listener) - commenting on the minds of the listeners and implying what he is, in a really concise and badass way. Little three dimensional elements on how to express ideas like that, is what truly separates Eminem. And it's the kind of thing dumb-ass shit rap fans who love to lazily throw around ''he's overrated because he's white'' card miss regularly. Most people focus so much on content only, and think they focus on how it's delivered but really just care about rhyme and flow.
mwm5952 wrote:Marshall Mathers the rapper's persona's half a facade
And Matthew and Stan's just symbolic
Of you not knowing what you had 'til it's gone
jinofthewind wrote:And Koolo's sources said... Nothing you idiots Koolo's sources are dead they're locked in my basement
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