Blu: He uses the same delivery on literally every track, for better or worse with the beat. It really shows in his recent work with the Electric Circus sh** he's been on with NoYork. He also, in the words of diction's idol, "doesn't seem to give a fuck about the synergy of his product", with a portion of his work being completely unmixed or having ass production.
Nas: His voice can seem a little monotonous at times, which is why I can understand if people say he "bores them". I'm also not too enthusiastic about his choice of beats either.
Slug: There's really no identifiable "flaw". I guess, he's one of my favorite artists but I doubt many people would consider him as much of a god in the technical aspect. I don't give a fuck really.
P.O.S.: His sound can come off redundant in the sense that he doesn't change it much, but instead it grows every album, from Ipecac Neat to Audition to Never Better It's always that classic Doomtree-type production, but just more polished and refined on every release. In that essence, his albums are also uniquely different from each-other at the same time.
Lupe Fiasco: His delivery is similar on every track, and just like Slug he isn't much of a 'technical' rapper. Also he sounds like a fucking bitch 7% of the time.
Joe Budden: His grouch-voice can get fucking annoying, he hardly switches up his flow, you could classify him as "Emo" and just like Blu it's either the quality or instrumental that ruins alot of his potentially great work.
One Be Lo: It's almost amazing how primitive some of the beats he spits on are. It's fucking funny that he actually pays producers to give him these beats rather than the other way around seeing as how he basically carries every song that he's on.
Akala & Black Thought: See Slug, Black Thought to a lesser extent.
Copywrite:
Alot of the "flaws" here are pretty similar for each artist, but it's no more redundant than the technical faults I'm speaking of. Everybody already knows what I think so I'm not even going to speak on Eminem, I'll let somebody else.











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