by EminemBase » Mar 12th, '10, 05:55
It's not quite a classic but definitely in the 'great' category for me.
If I could swap "Crack a Bottle", "We Made You" and "Beautiful" for "Buffalo Bill", "Taking My Ball" and "Music Box" then I think it would probably be a classic to me.
People say "oh it's not just about rhyming" and I agree. And with Relapse it's not either. This album is a truly phenomenal experimental album in the art of flow. Every track is something incredible and new.
Nobody has his versatility and ability to sound totally fresh each album... In fact nearly each fucking track. His wordplay is also outstanding. The album is missing punchlines and his 'classic' wit but he's still very witty and twisted in places. And the descriptive writing and novelist techniques are beautiful.
If he had committed to the concept fully and not stuck "Beautiful" and CAB on there would of been way better. They both stick out like sore thumbs and 50's verse is so bad it brings the legacy of the album down because it's always remembered. Because with an album of orgasmic verses you have that total sack of shit from rap's biggest delusion.
So yeah. I would probably give it 3.8 out of 5.
All of the flows are so addictive and he sounds so utterly energized and accomplished again. Such a great surprise after the slow, lazy nature of some Encore tracks and the predictive, depressive growling of "When I'm Gone". He sounds completely electric again.
Oh to finalize - I feel ashamed to be adhering to such a common highlight but "Stay Wide Awake" is other worldly. He's become so totally adept at weaving in and out of 1st and 3rd person, narrator and victim... It's amazing. Further example of this is "Buffalo Bill" - INCREDIBLE. But on "Stay Wide Awake"... The bit where it goes...
Victim: "Who's waking me so violently and why's he on top of me?"
Victim again: "He's raping me"
/ transition...
Narrator: "She tries to scream, somebody please get him off me!"
Victim: "He's taping me, he's biting me, he's laughing like it's funny"
/ transition...
Killer: "She's scraping me, she's fighting me, she's scratching like some dumb freak"
Killer again: "Escaping me, no dice ya see, I might just be Ted Bundy"
---
Just... Excellent. The way he keeps the conversation sound naturalistic and smooth. And play on the realism whilst constantly switching perspectives, making it flow effortlessly and seamlessly and being descriptive and witty. The little subtle bits of twisted wit from the killer 'no dice ya see'... Cocky in his capture. Lmao. Totally brilliant.
That is why he's the best ever. Nobody comes close to this type of writing. This many layers of literacy within rhyme, within flow, within structure.
Now he's clear and in his zone, I think this is why R2 could be his best album period. "Music Box" was further progression in this. This is why he's improved so much since he came back. Before it was more random and 'rapper' like, now he blends all his attributes together to make it one big consistent Eminem-ism song.
Last edited by
EminemBase on Mar 12th, '10, 06:07, edited 4 times in total.