Game R.E.D fails

[iraqi4life]

"When My ***** Come Home" f/ Snoop Dogg
Produced By: Pharrell
Game heads to the strip club with a close friend fresh out the joint. Pharrell provides the soundtrack for the celebration with a mix of luscious synth waves and deep, hard-hitting drums. Snoop name-drops plenty of fellow Crips, but in that nice and smooth way that doesn't offend middle America to the point that they'll revoke sponsorships.

"She'll Look Good To Me"
Produced By: Pharrell
This one is all about bakin' pies with a college chick. But not for her culinary class. As long as they're of age, we always co-sign corrupting co-eds.

"Mother's Womb" f/ Nelly Furtado
Produced By: Pharrell
The title's kind of gross, right? Doesn't sound so hot, either. Game waxes poetic about all the gangsta **** he's been up to since he's left his mother's womb. What better way to do that than have Nelly Furtado ride shotgun? FOH. Skateboard P brings those Neptunes key patterns that sound like a throwback to his early chart-toppers, which is both a good and bad thing. The mix we heard was rough, but Furtado's vocals sounded good.

"Ain’t No Doubt About It" f/ Justin Timberlake
Produced By: Pharrell
Justified x In My Mind x Game sounding a little uncomfortable with the terrycloth-soft vibe of the track. Nothing much else to say. *shrug*

"Diamonds" f/ Robin Thicke
Produced By: Phonix
The version we heard featured an up-and-coming talent named K-Young, though we were told that the infectious hook would be re-sung by Robin Thicke (for the record, we didn’t mind the version with K-Young on the reference).

"Heavy Artillery" f/ Beanie Sigel and Rick Ross
Produced By: Street Runner
The three self-claimed gangsters flex gun talk, murder, and their own craziness. Game even compares himself to Marshall Mathers (“Eminem ain’t Dr. Dre’s only sick *****").

"Good, Bad, Ugly"
Produced By: Hit Boy
Grimy keys and dark drums play the backdrop for a storytelling joint. The saga begins with the former drug dealer getting ambushed by several hostile guests with heaters, then segues to a scene where two detectives question the injured rapper. The Game skillfully flips the tone of his voice, and weaves an entertaining verse when he refuses to cooperate, instead spinning out a story that's different from what actually went down. Straight gangsta ****.

"Ricky"
Produced By: DJ Khalil
As the title implies, it’s a reference to Morris Chestnut’s character in John Singleton’s debut film Boyz N The Hood. A saxophone intro trails up to the congo drums in the backdrop, and the track leads off as a cautionary tale about 'hood violence—but quickly veers off into Game sucking himself off about how he remains victorious in front of gun claps. Gunshot sound effects, paired with the chanted shout of “Ricky!” make this one memorable...for its repetitiveness.

"Infared"
Produced By: Cool & Dre
The Compton rapper’s forays into name-dropping have recently been hit or miss, but over Cool & Dre’s 70s funk-jazz-influenced instrumental, the album’s intro is a major hit. Game drops attention-grabbing lines (“Will I ever go at Nas? Hell nah! / Will I ever go at Jay-Z? I don’t know”) and doesn’t waste a second spewing his fully automatic braggadocio. It’s an instant head-nodding banger for a kickoff.

"Lost Ones" f/ K-young
Produced By: Cool & Dre
Complex says: Bonus cut that focuses on really dark themes of death and the molestation of his sister by his father. Fooled you, right? You thought it was some diss to Jigga, right?

"Roll My ****" f/ Snoop Dogg
Produced By: Pharrell
Some real G-****, straight up and down. Game and Snoop are clearly in their element on this one. Pharrell brings his best Dr. Dre impression by using light, wavy synths reminiscent of The Chronic.

"It Must Be Tough" f/ Pharrell
Produced By: Pharrell
Even though this was clearly unmixed and still has some reference vocals on it, it's still one of the clear highlights of the album. Typical baller **** we've heard before, but Pharrell stunts on another level and absolutely dominates on the ad-libs and the hooks. There's synths galore and heavy 808s that build back and forth (from low volume to high), and Game delivers a solid third verse.




“Dead People”
Produced By: Dr.Dre
Complex says: Dre laces Game with a beat that sounds like it was left off 50 Cent’s The Massacre (in the same vein of “I’m Supposed To Die Tonight”), and Jayceon takes the opportunity to steal 50’s style, even sounding like him on the hook (a stashed joint he wrote, maybe?). Granted, he writes from an interesting perspective—at one point he goes into the POV of a bullet like Nas’ “I Gave You Power”—but it stills come off as an odd fantasy about murder.




LOL 1 dr beat. As game said, 'I'm nothing without a dr dre track'
This compared to his previous albums will suck.

[dR3]

Where did you get this from?

[iraqi4life]

Complex reviewed it.
http://www.complex.com/blog_galleries/a ... e-red-room

[Anim]

I've been saying this for a while now, Game fell off..... He should go back to 50 writing his shit.

[dR3]

Complex reviewed it.
http://www.complex.com/blog_galleries/a ... e-red-room

Ok, thanks.


I guess this means the album is a complete failure.

[°[~CHR!$~]°]

sounds like somthin fresh to me...i dont think it will fail

[embm]

intrstn
i wana hear it 4 myslf tho

[Xray]

I've been saying this for a while now, Game fell off..... He should go back to 50 writing his shit.

G-Unit groupie?

[Tranquil]

i doubt its a fail, we havnt even herd the tracks for our self, so when we hear the tracks, then judge it

[Fa-Q]

I'm supposed to die tonight was produced by Em on the massacre? Lol what the fuck?

[Wisheezy]

wtf?? I thought Dre would be the main production on this? wow, i'm disapointed. I hate pharells production.

[Dark Blue]

don't sound to great but u never know

[Kevin Paul]

I have a feeling this will suck but I'll just have to wait and see.

[Mr.P]

Still checking it out when it drops, I hardly find myself agreeing with reviews and critics so:

we havnt even herd the tracks for our self, so when we hear the tracks, then judge it

[Arrinef]

Game even compares himself to Marshall Mathers (“Eminem ain’t Dr. Dre’s only sick nigga")

wow