People change fuck. Why are you posting your bullshit?
The guy has 50 million dollars.. why should he be wearing hoodies and screaming rape?
Dude has to be a role model man.. his daughters going to be 20 by 2015..
TRshady wrote:The server is indeed unaware of the greatness that is DanWS.
SgtPepper wrote:Well its not about "growing up", its about what he stood for when he first came out.
A big FUCK YOU to the industry and manufactured artists.
da r star wrote:Let me start off by saying this : Recovery is a good album, I do think it's a better album in general than Relapse. But,
The Eminem that I use to love, that became my favorite artist is just plain dead and gone. This has to be the MOST COMMERCIAL Eminem album ever, there's no denying it.
It's like, he went against everything I use to love about Eminem. Eminem never made songs for girls/about girls where he "seduces" them. If you don't count the Kim songs, the old Eminem just didn't roll like that. That's exactly what Superman was about, it was a song for girls but truly an anti-girl, a satiric song. There's like 4 songs on this "Seductive, Space Bound, Love the Way YOu lie, So Bad". Especially Space Bound and the Rihanna song, that is just weird to hear Eminem make such songs.
The old Eminem didn't do features with the cool new artists, that's exaclty what he did.
The odl Eminem didn't make forced club songs. WTP? More like WTF??
Eminem was not a suck up, he sucks up to current artist and he sucks up to us the fan.
And the finale : The Proof Song. Seriously, he should never have made a Proof Song, it just sound way to corny, from the Hook to the beat.
Now before I get flame, like I said, Recovery is a good album, but it's NOT an Eminem album, at least not the one those of us in their 20s fell in love with.
But I can't deny, that on every songs, he kills it lyrically. Verses are great.
EminemBase wrote:This album ain't commercial just because of the features man. He's just decided to stop acting stupid and try merging his psycho style with more serious themes.
His lyricism and flows are hardcore as fuck. This is old Em on crack. "Cinderella Man" is like another "Till I Collapse" and "Almost Famous" is just amazing.
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