Emcee Of The Year:
Eminem
With the evolution of Hip Hop, what we look for in emcees also evolves. An ability to further the craft of rhyming words, telling stories and commanding the track and the stage has held true since the days of the Cold Crush. A great emcee captures the times in their rhymes and presents the present in a way high above others.
For the last decade, Marshall Mathers has ascended from an 8 Mile Road battle champion to a conceptual master at songwriting to a pillar of inspiration. With the best-selling album of 2010 in Recovery, Eminem truly opened up his guarded world with a light in his life that inspired others. Multi-syllablic rhyme-schemes, real-life subject matter and an open-mind to Rap's new landscape gave last year's runner-up the award. One of the greatest rappers of all-time is no longer a spectacle, he's just spectacular.
Runners Up: Big Boi, Nicki Minaj
The Trend We'd Like To See Die:
Weekly Song Releases
For a culture that prides itself on originality, the Hip Hop industry loves a good trend. So much so, that what works for one usually gets taken to a new extreme and ruins the party for the rest of us. Each year, we put a fork in something we're tired of – as Rap fans, in hopes that the Hip Hop Gods listen and keep the culture evolving.
G.O.O.D. Friday was one of 2010's most appreciated gifts. Kanye West and his "Grammy family" kept the Internet moving on the week-ends, and hinted at an album that belongs on every Rap fan's CD shelves. However, as Lloyd Banks, Swizz Beatz, Timbaland, Joe Budden and even lesser emcees "mr. me too'd" with days of their own, audio calendars were too crowded and only one endured, having all of us say T.G.I.F. every week.
Runners Up: Kat Stacks, Self-Shot Videos
Slept-On Album Of The Year:
Cleph Titled & Buckwild's "Nineteen Ninety Now"
For all the talk about sales and mainstream rankings, most Rap albums fall short of reaching chain stores and the charts. Great albums are made yearly that don't get the distribution, the promotion or the word of mouth that they deserve, and often times, if skills sold, truth be told, they'd probably be, commercially, Black Eyed Peas.
Golden-era purists bemoan the 1990s greatness that's gone missing in today's Rap marketplace. A veteran Florida emcee Celph Titled teamed with Bronx beat-master Buckwild for an album of hard-nosed rhymes overtop unused beats from the Word…Life and Lifestylez ov da Poor & Dangerous era. Diggin' In The Crates and Army of The Pharaohs collided to give us a star-studded album that celebrated addicts for sneakers, 20s of Buddah, and bitches with beepers.
Runners Up: Homeboy Sandman – The Good Sun, Roc Marciano – Marcberg
http://www.hiphopdx.com/index/editorial ... end-awards





















