One Mic wrote:@EminemBase
From Track 1 - 14 on Relapse, it flowed acceptably ok, right?
Then it's Track 15 (Mr Mathers Skit) which leads us up to Track 16 (Deja Vu), a serious song talking about personal things for the first time on the album, how he almost died etc. Then we get Track 17 (Beautiful), a song influenced and written/recorded? around the same era of the stuff he is talking about in Deja Vu.
I'm just so fucking depressed
I just can't seem to get out this slump
etc
It works.
Then we get a nice juxtaposition from when Eminem was absent from rap and a depressed mindframe (Beautiful) to the "new Eminem" (Crack A Botle) which was his official comeback song and is him just fucking around, glad to be back again, having fun, being silly, etc
Then we get Steve Berman skit explaining how there are two CD's (in reference to Relapse 2) and to finish the album it's... 'Underground'
I mean if you look at the first four songs on the album to the last four songs on the album...
3 AM
My Mom
Insane
Bagpipes from Baghdad
Deja Vu
Beautiful
Crack A Bottle
Underground
They could potentially be on different albums tbh. I think you're over-exaggerating how 'Beautiful' is out of place
You've once again, like everybody else, confused my point.
My point is NOT that the CONTENT does not work on the album (or that it's out-of-order). Otherwise don't you think I'd be making the exact same criticism of "Deja Vu"?
Like I said, it
SOUNDS stupid. In the same way that "Lighters" sounds ridiculous on the EP to me because it has a poppy soft beat and Bruno Mars on the chorus in the mix of hardcore rap tracks by a duo called
Bad Meets Evil.
That is why "Beautiful"
sounds absurd on
Relapse to me. Again,
sounds, I'm talking about the objective sound of the music and its style to my ears, not the content, what he's saying or its place / sequence on the album. It sounds objectively absurd to me on there as it
sounds nothing like the other tracks.
It was made for a different album, in a different recording session, with a different Eminem style, with an Eminem-produced beat with a Queen rock sample on there. It has a sung chorus and is a stadium-esque rock-rap ballad and his voice sounds 06ish. Compare that to the bouncy, menacing Dre beats and tricky, accent-heavy, somewhat nasal, speedy
Relapse flow(s) of every other track and surely then you can
hear what I mean?
It sounds nothing like the other tracks and was not intended for the album. Exact same point with "Lighters". My complaint is absolutely the sound of it.
Just like "Rock Bottom" fits absolutely fine on
The Slim Shady LP because it
sounds like the other tracks. His style is like the other tracks, the beat meshes and it sounds like it should be there. Where as, can you imagine "When I'm Gone" on there?
That's how ridiculous "Beautiful" sounds to me on
Relapse.