Master Chief wrote:Impact doesn't matter much when deciding if an album is classic or not. It's a plus but it does not fucking matter. There are so many underground albums that are considered classics yet hhad 0 impact.
Of course impact fucking matters you retard.
Or, somebody on TR could make a great album in their bedroom, show twenty hip-hop fans, who all think it's brilliant and then what... it's a classic?
If an album is released on a professional level, as Death Is Certain was, with professional critics and publications hearing it and a relatively big (in comparison to a sole outfit) number of hip-hop fans hearing it: if it doesn't create a substantial impact amongst those people, it's not a classic. If you're not judging by the reaction, what are you judging by?
You can't just ignore the major reaction and say your personal reaction overrules everybody and therefore it IS a classic. You're deluded in thinking most received it as a classic.
And by substantial, I don't mean people go "yeah, pretty good" or even "great album". A classic makes people go "WOW, that is an amazing fucking album". And, from reading around, even general fans, even ones who LIKE it, it didn't make many people do that at all.
It's not a wow album on any level. It didn't do anything. A classic isn't just a good album.
Master Chief wrote:Yeah, personal shit is generic. Going Through Changes, Deja Vu and Rock Bottom are the most generic songs I've ever heard as well. I agree.
My god you're such a retard lmfao.
Look at the way you think. I call Death Is Certain a generic album and call the material on it personal, bland and generic...
And you go from that to calling "Deja Vu" and "Rock Bottom" 'the most generic songs you've ever heard'... 'as well', sarcastically. Since when does calling one album which happens to house personal material on it generic translate into calling ALL personal material 'the most generic ever' by default.
You're such a fucking retard.
It's all about execution. It's not the fact the songs are personal, as most of 2Pac's material is personal. It's how it's executed, which is simply not noteworthy enough. There's a lot of babble in amongst what he's saying and a good flow and rhyming isn't enough to disguise his dull thoughts.
When you turn on 2Pac's classic personal tracks like "Dear Mama"... they do something to you. They're executed with such emotion and passion, and grace. Where as, Royce lamely rapping about guns, how tough he is and bla bla bla, in the same fucking way on every track does nothing.
To call those tracks classics, you must have
low fucking standards.
Master Chief wrote:Yeah... ok. A classic doesn't have to be the most original, off the wall album ever. Sometimes simple is better. Anyway, there are very few albums, if any, that come close to the depressive and angry nature of DIC.
No, not 'the most' - once again, you're hyper-defensive and like a stupid little baby jump to the most extreme defense imaginable.
When the FUCK did I say a classic had to be 'the most' original album ever. I wouldn't of said
Illmatic is a classic if that's the case as the only thing truly remarkable about that is the execution. His actual ideas aren't strikingly original either. It's his lyricism and style.
Also, very few albums that come close to the depressive and angry nature of DIC? my god. You must have a FUCKING limited palette then I must say. And I do myself but even I can think of a ton right off the top. DIC isn't even effectively dark ffs.
It's lame as fuck. You're confusing laid back and empty with dark and depressive. He mixes genuine personal thoughts with predictable gangsta cheese, there's so much empty, lame lyricism on that album and the songs are not striking in any way. They barely define themselves from each other.
The Slim Shady LP is more dark and depressive than that album for a start. SSLP is dark, twisted and loony. Royce's is drab nothingness. It mixes so many elements, it's confused, it's nothing. It's just a laid back, generic, basic rap album. Nothing stands out about it.
What track on that album is as depressive as "If I Had" or "Rock Bottom" or EVEN FUCKING CLOSE to being as well written? I dare you.
You even mentioned an album in your own reply that is darker. Tyler's solo album is one million times darker and more depressive. It's pretty fucking aimless but his thoughts are so much more genuine and human, talking about slitting his wrist in detail and delving into his psyche. I'm not saying it's classic but if you think DIC sounds within ten yards as dark / depressive as Tyler's work you need your fucking head examined.
Master Chief wrote:So you may think it's not a classic, in your head: you can NOT define it as one. But most of the hip hop community recieved the album as one, it doesn't fuck matter it wasn't groundbreaking or new and it is a classic Hip Hop album.
'Most of the hip-hop community' - where the fuck are you getting your info dick head?
That's interesting you think that as we had a big debate about this album in the Yelawolf vs. Royce thread and almost everybody that replied there said it wasn't a classic. And people have already replied here saying that it's not...
And if you were to look across the span of the Internet for personal hip-hop head's top 10, 20 lists or even 'classic album lists' of the past decade mainstream or underground, you'd be hard-pressed to find this album on the list let alone near top.
So once again: NOOOOO, this album
WAASSS NOOOOOOOT received by the majority of hip-hop fans as a hip-hop classic. That is in your fucking head dip-shit.
Master Chief wrote:You're ignorant as HELL for saying that "nobody else in the Hip Hop community recieved that album as one". Get your head out of your ass.
No no, YOU are ignorant as hell moron.
You clearly have made a blind assumption, get your head out of your ass you fucking brain-dead cocksucker.
Death Is Certain was absolutely not received as a classic by most.
It's a barely remembered, solid album. Nothing more.
Master Chief wrote:IT DOESN'T MATTER IF IT DIDN'T MAKE ANY FUCKING IMPACT. GODDAMN. That's literally the only thing you can bring up to discredit DIC. Just because you think it's just "good" doesn't strip from its title as a classic. It's labeled a classic, go do some research. I don't give a single fuck if you think it's not a classic but when you try to say that in the Hip Hop community it's not a classic, then you're fucking wrong and you just need to check yourself.
First of all, how the fuck is impact the only thing I can bring up? oh you mean besides every element of the material and the execution that I've also brought up...
Secondly:
Yes IMPACT DOES MATTER DICK HEAD.
Impact = effect the album has on fans who hear it. If it makes no impact, guess what?...
Fans who heard it = didn't rave about it.
Do the fucking math you cretin. I'm not talking huge sales or singles. Even underground classics, earn that status because everybody who hears it cannot help but yell from the fucking rooftops about what they've just heard to every other hip-hop fan.
Death Is Certain did not / does not come CLOSE to having that impact. You are absolutely fucking wrong, wrong, wroooooooong. Go learn, you fucking idiot.