Welcome to: Our house (LEAKED LINK INSIDE)

[radioactivejaber]

Looking at this song at what it is, a Strip Club Anthem it isn't as bad as I initially thought. It bangs in the car and I'm going to make it my mission to find a way to remove Swizz Beatz's terrible hook

[radioactivejaber]

I knew the beat would suck Mr. Porter sucks at producing beats

You're really fucking stupid if you think that, just saying. Have you heard more than this and maybe "Loud Noises"? If you think this song is good but you think Mr. Porter sucks, your opinion is officially invalid.

Sorry if I insulted you, but right now, I'm really pissed off at SH for taking the dick of the industry so willingly and making something some fag like Tyga could make.

"Loud Noises" was aight, it was good for what it was. Most of the tracks that he produces are just basic and not something of quality.

[master360]

mr porter also produced PIMP by 50.

[FakeAlias]

He was gone for so long and there is no way he thought Relapse was going to be a commercial appeal in the current industry.

Is why he made the lead single "We Made You," a shameless pathetic song desperately referencing everything the past year in pop culture? Explain how in the flying FUCK "We Made You" is different from My Name Is, The Real Slim Shady, Without Me or Just Lose It.

Seriously, dude. No commercial appeal on Relapse? Same stupid pop rap single. A song about WEED. A token introspective song. A token Dre & Eminem song. The EXACT SAME production line-up and guests as every other Eminem album. (Right down to the "Track 13 Dina Rae Song.")

I like Relapse more than most. But saying it's a departure from Em's previous work is nonsense. The biggest departure from Em's previous work is Recovery. And unfortunately I don't think that worked too well...

[JAGODA]

I guess Em won't make a beats on the album but only does mixing.

[Slaughterpause]

I'm getting extremely disappointed by this whole situation. There's one big misunderstanding here though: we are called haters now, but I, for one, want Slaughterhouse to succeed. I really do. What makes me sad that I watch their whole master plan fall apart and suck big time... I'm kinda feel sory for them.

I don't even blame Marshall. I think his hands are tied too. He has to release it through Interscope and can't do it without them, at least I really hope that's the case and not he is the one who fucks it up so bad. Interscope didn't support Em, they make money from him. When Eminem signed Slaughterhouse, they were looking forward to make money from them too. But I think they heard the final product and realized it that SH is not for the masses. I remember I read that Intersope made Em change the lead single of MMLP three times. First it was obviously I'm back. Why would you call a song I'm back unless you want to come back with it? They made him edit the Columbine reference then rejected it as a single. So Eminem wrote The Way I Am, ironically he went at record execs too in the song. They said it was kinda cool, but it's not a first single neither. So Em wrote The Real Slim Shady, the dumbest and catchiest of the three which was still dope and Interscope went with that. So they are well known about fucking with artist but they don't dare to do it with Em until everything turns gold he touches.

Slaughterhouse, on the other hand, walked in a trap. Budden said in a recent interview that he was skeptic first, and he always has reservations and he was right. What was a rap geek's dream (SH meets Em, lyrical hip-hop paradise, all time classic album resembles to the golden era of hip-hop) turned into a f***ing nightmare with delays. Slaughterhouse loses time, money, fans and credibility on the long run. And it's a waaaay long run...

I just want them to go in the studio for two weeks, pick some dope beats and make an EP with 8-9 songs with hardcore lyricism to prove us wrong and prove they still have it in them. But knowing Interscope they won't be allowed to release it...

[Devil'sAdvocate]

^Of course, singles hardly ever represent the album's actual sound (ex: SSLP and My Name Is). The album's non-single songs could be amazing.

actually My Name Is is exactly how SSLP sounds like in parts,lyrical and satirical.

Fuck Eminem for signing these guys,thats how i feel.

[Trimss]

Don't blame it on Eminem. They wanted the cheese, they wanted to compromise themselves.
If you had to be mad at Em, it would be because he let them release that song.

[radioactivejaber]

they were 2/2 on singles now they are 2/3

[Trimss]

If you had to be mad at Em, it would be because he let them release that song.

And that's exactly why i'm mad at Em.

Yeah, but they wanted to be free to do whatever they want. And they chose to do shit music.

[Trimss]

Seriously, should we do a #fansdown movement?

[Trimss]

Seriously, should we do a #fansdown movement?

No, they'll just block you on Twitter.

It's not that we hate them, or their music (at least I don't), we just want it to come out. There's nothing we can do to get it earlier, so we gotta wait 'til August 15th or so for a leak.

I want them to scrap this song.

[Trimss]

^ Because it's shit. Honestly, hands down, the worst Slaughterhouse song I have ever heard.

[Trimss]

^ Because it's shit. Honestly, hands down, the worst Slaughterhouse song I have ever heard.

Lol it's not that bad. It's actuallly pretty dope. A refresher from the hardcore lyrical stuff. Not to mention the beat is chill and not that poppy trash like My Life with a butchered autotune Cee Lo hook.

But you seem to like everything Shady Records puts out lol. This song is trash, and I didn't like My Life that much but it's certainly better than this.

The only "good" thing in Throw it away was probably the beat, which was also average.

[Trimss]

^ Well, you think they mock typical rappers, I think they just fell in that "typical rapper who begs for fame" trap.
It's sad to see that tbh, they had a lot of potential.. And they decided to give us shit singles.