
Spyder wrote:The silent king of spam.
Killa wrote:Me & dR3 represent the future bitch!!!
Killa wrote:dR3 stay winning...
Spyder wrote:The silent king of spam.
Killa wrote:Me & dR3 represent the future bitch!!!
Killa wrote:dR3 stay winning...
dR3 wrote:Em's voice on Asylum is on some MMLP shit.
Spyder wrote:The silent king of spam.
Killa wrote:Me & dR3 represent the future bitch!!!
Killa wrote:dR3 stay winning...
Spyder wrote:The silent king of spam.
Killa wrote:Me & dR3 represent the future bitch!!!
Killa wrote:dR3 stay winning...
dR3 wrote:Auto-fucking-tune? Really? I really hope they did it as a joke, like Em did on Relapse.
Geno wrote:M15HKA wrote:dR3 wrote:Em's voice on Asylum is on some MMLP shit.
Just shows what a simple Eminem beat does.
I've been saying it since Recovery. Em NEEDS those simple beats. Whether you love the accent or not, you gotta agree that Relapse's simple, dark beats were amazing, and Em flowed very well on them.
dR3 wrote:I don't like the beat though, it's... weird.
CanadaPure wrote:I'd fuck 12Characters
Graphic wrote:The beat of Park it Sideways reminds me of The Show Goes On by Lupe Fiasco...juuuust a little bit. Am I insane?
BumShiv wrote:Graphic wrote:The beat of Park it Sideways reminds me of The Show Goes On by Lupe Fiasco...juuuust a little bit. Am I insane?
The horns are almost exactly the same
edit: and it's the same producer, Kane Beatz
Geno wrote:Jim Bob wrote:Eminem's verse in Our Hourse - disapointing. His ryhmes are too complicated for they're own good. He needs to dial it back it back a bit , less is more.
And why doesn't he have a verse on asylum ???
I agree to an extent, but I really think the beat is why he's rapping like that.
It's a really weird beat, it cuts out in everyone's verse. It's noticeable in Crooked's
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