
Menzo wrote:PAINKILLƎR wrote:http://instagram.com/p/kV4RqKCOIL/
oh boi
Damn, I really don't know what to expect from this video. Powerful.
Menzo wrote:I hope he's in a Chevy, that'd be totally new!
Menzo wrote:PAINKILLƎR wrote:Menzo wrote:
Damn, I really don't know what to expect from this video. Powerful.
Some country shit, woadie
I hope he's in a Chevy, that'd be totally new!
Menzo wrote:PAINKILLƎR wrote:Menzo wrote:I hope he's in a Chevy, that'd be totally new!
Way to think outside the box buddy, alright! [:
Menzo wrote:PAINKILLƎR wrote:I hope he's in a Chevy, that'd be totally new!
Way to think outside the box buddy, alright! [:
Rollefsen wrote:WLPWR on Love Story:[HHH] Take us through the process of starting a new Yelawolf album. Do you bring a batch of beats and let him sit with them or do you do a lot of creating on the spot?
[WP] 90% of the time I never show up to the studio with beats, only because I’ve learned that if you really want something dope you have to find it with the artist. I spent days and weeks with Yela. We spent 6 months working on the album just me and him. The first month was just picking shit up, we we’re in the studio with tambourines and we were pulling in live instruments just fuckin around until we found a way to fuse what I do as a producer with live instruments and just all kind of stuff. We were fortunate to be able to work at Black Bird so we had access to what ever you could think of. I literally asked for a bass that sounded like what the Beatles used to work with. These guys went into their locker and brought me the same type of bass that Paul Mcartney played man. That’s the type of stuff we went through to get this album together man. It was just an incredible experience. I certainly didn’t show up with any beats. I don’t know if you can recall but right before we went into working on “Love Story” we had gotten together at the top of the year to work on “Trunk Muzik Returns.” We were already kind of getting in the groove, so we had just put 10 records together for that and then we went right into “Love Story.” They’re 2 totally completely different albums sonically. If you know us and you know the story on how we did it, you’ll probably be blown away by how we morphed it from “Trunk Muzik Returns” to the shit we’re doing now. This album is totally different than “Trunk Muzik Returns.” We do have some synth work in it but it’s not as much. It’s super bangin, it’s super drumin, a lot of great musicians. I brought in some of the best people I could find for this album, we’ve got some incredible people on this album. They’re people that most people don’t know, like your not going to able to drop names but they’re bad asses. I think the fans are going to go crazy.
[HHH] What can you tell me about Box Chevy V?
[WP] It’s probably the only record on this album that is going to be reminiscent of anything else that we’ve ever done. The only reason we did it that way is so that the fans can say we’re setting them up for this INCREDIBLE SHIT! Like this isn’t going to be any “Radio Active” bullshit, this time we on it.
[HHH] What if anything is different this time around?
[WP] What’s different about it, is that we had no A&R’s. 0 label support, outside of them just funding it I’m assuming. No one came to the studio. It was Yelawolf and I, my production team and that was it. I brought my own engineer in, my own production coordinator. My manager did the production coordination on the album so she just basically made sure the business aspect for me was in place and that was it. No outside opinions, no outside view points. Nobody came to us with no marketing strategies and plans, this that and the third. Me and dude just got in the lab made jams, things worked out and that’s what happened.
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