Amadeo wrote:Evan C. wrote:I think you're missing the technical side of things. Nas, while a good lyricist, is not a truly great one. He went in and out of his multis and the shit usually didn't line up syllable-for-syllable.
that's because lining up compound multi-syllabic rhymes syllable-for-syllable is hard & usually detracts from the quality of the lyrics. eminem has never written a song with multis that line up syllable for syllable every time anyway.
you're being way too systematic in your tick-the-boxes interpretation of lyrics. it's like you're running them through a scanner & the only thing it detects is the number of multis, not the fact that it's a good story or that the rap paints a picture or is particularly poetic.
not to mention raps with just multis & no other dimensions can be fucking terrible. it's gotta sound good first & foremost, otherwise you get this fucking trash:
I'm getting mad love I'm snuggling hugs
Druggling thugs smuggling drugs juggling jobs guzzling jugs
So here's a toast to federal checks
Hetero sex unaffordable medical debts huh
We travel in packs and ravel in facts and gravel in cracks
To find babbling Max gaffling tracks
I grapple an axe for them baffling acts
The mysterious stab in the backs who dabble in wax
^ this horse shit from the mostly horse shit album Infinite is the equivalent of Dragonforce in guitar playing, who are praised for their ultra-fast shredding duuude.. until you pull your head out of your ass & realize it fucking sucks.
i never saw the stringent & pedantic use of multis as a criterion for 'great rap', but rather a technical embellishment of a rap & giving it a certain lustre.
The problem with those is that he's not making any sense with them.
It IS possible to line up syllables (most of the time...no one said Eminem did that all the time) and still say something. Eminem is just basically the only one who has done it consistently (his prime years).



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